🔗 Share this article The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66 Dave Ball (left) created Soft Cell with Marc Almond at Leeds in 1977 Dave Ball, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66. Together with singer Marc Almond, the team achieved a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a seminal work of synth-pop. He later founded the innovative techno group The Grid, who secured popular acclaim with 1994's Swamp Thing. Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames. Recent Health Challenges During that show, Ball appeared in a wheelchair, as he had for the previous couple of years, following a period of health issues. "I managed to damage myself quite a bit," he commented in 2023. "I fractured lower vertebrae in my back and fractured about multiple ribs and fractured my wrist." After catching a lung infection and developing blood poisoning, he was put in an induced coma and remained in hospital for seven months. Nevertheless, he had been in "a great place emotionally" over the warmer months, as he worked on a fresh record with Almond, called Danceteria, which is set for release in the coming year. "He was concentrated and very pleased with the new album that we actually finished only a few days ago," said the vocalist in a heartfelt message. "It's so sad as 2026 was completely planned to be such an uplifting time for him, and I take some solace from the fact that he listened to the finished record and believed that it was a masterpiece." The band were at the forefront of the synth-pop movement in the beginning of the decade Heartfelt Messages Almond referred to his bandmate as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work. "Many thanks Dave for being an significant aspect of my existence and for the music you created with me. I wouldn't be where I am without you." His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship". "Being in a duo with someone is distinct from being in a band, the bond is incredibly close," he added. "That was the case with us. We went through so many extraordinary, incredible, memorable moments together. Many thanks, Dave." Dave Ball, photographed at BBC Radio 2 in recent years Formative Years Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age. He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed. He encountered Almond at Leeds Polytechnic in 1977, where they were both studying art. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play. Creative Collaboration The duo were an unusual pairing: Ball was the reserved technician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a unique creative synergy. Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on a television science show Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was composing. Tainted Love became the United Kingdom's second most popular single of the early 80s, selling 21 million units globally. Alongside successful tracks by Gary Numan, Human League and electronic acts, it contributed to cleared the path for the electronic music style of the 1980s. The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye. They continued the record up with the separate release, Torch, which reached at the second position in the following year. The duo were working on new material right up until Ball's passing Professional Journey Success had its benefits. "I loved being able to purchase my initial property, having financial security and travelling, which might seem like a beauty queen," Ball recently shared with a publication. But it also caused challenges. "Newfound wealth meant we could afford newfound drugs to relieve the boredom" of media interviews and TV performances, Ball said. "I know that's a common saying, but it's a truism for a good reason, because it works for so many bands." During the party-filled existence, the pair were also growing distant, but they managed to produce a second memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart. They released one more LP, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects. Almond proceeded to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring collaboration. Reunions and Final Projects Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty. Following a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, that year. Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown. Ball lately described the band's upcoming release as a homage to the NYC nightlife they frequented while making their first two albums. He added that his time in hospital had shaped the band's sound. "I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine. "Our latest tracks are a digital reflection of the noises in my head from those days. "Simultaneously, it's about the times me and Marc got up to in the 80s." The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.